YOU CAN QUOTE ME ON THAT

I was just reading some quotes from shows and realized, I don't have to enjoy these all by myself, let me spread the love. Here are some quotes from some of my favorite shows. I hope you enjoy them as much as I do...

Grey's Anatomy

Dr. Meredith Grey: Okay, here it is, your choice... it's simple, her or me, and I'm sure she is really great. But Derek, I love you, in a really, really big pretend to like your taste in music, let you eat the last piece of cheesecake, hold a radio over my head outside your window, unfortunate way that makes me hate you, love you. So pick me, choose me, love me.

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Dr. Alex Karev: Here's the thing - I like your rack.

Dr. Isobel "Izzie" Stevens: God, what is wrong with you? Why do you have to be so - what is wrong with you?

Dr. Alex Karev: I like your rack and I'd want them around if I could have them, trust me I would, but it wouldn't be the end of the world if you got rid of them... because really, I'd want *you*. [Izzie slaps him]

Dr. Alex Karev: Ow! What was that for? [she kisses him]

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Dr. George O'Malley: You know Joe?

Dr. Miranda Bailey: Oh, yeah. I was the only female intern my year. I didn't know anybody and nobody knew me except Joe. He knew me.

Dr. George O'Malley: Oh. So you and Joe...?

Dr. Miranda Bailey: All you people ever think about is how to get into somebody's pants. You're nasty. [slaps George]

Dr. Miranda Bailey: That's why you got syphilis.

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Dr. Preston Burke: So, I have a question to ask. I checked the schedule and I noticed that both you and I are off tonight. I made reservations. I have a favorite restaurant.

Dr. Cristina Yang: None of those were questions.

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Dr. Alex Karev: What are you doing?

Dr. George O'Malley: Hiding. There's this VIP patient. He likes me.

Dr. Alex Karev: Well, that's good, right?

Dr. George O'Malley: He *likes me*, likes me.

Dr. Alex Karev: Go for it, man. Get yours, I'm down with the rainbow. [George gives him a strange look]

Dr. Alex Karev: Oh, are you not gay?

Dr. George O'Malley: No.

Dr. Alex Karev: Really? Dude, sorry.

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Dr. Meredith Grey: [about her new roommates] They're everywhere. All the time. Izzie's all perky and George does this where he's helpful and considerate. They share food, and they say things, and they move things, and they breathe. Ugh, they're, like, happy

Dr. Cristina Yang: Kick them out.

Dr. Meredith Grey: I can't kick them out, they just moved in. I asked them to move in.

Dr. Cristina Yang: So what, you're just going to repress everything in some deep, dark, twisted place until one day you snap and you kill them?

LOST

Michael: You're wasting your time, man. If you pick the lock on a Halliburton, I'll put you on my back and fly us to L.A.

Sawyer: You better find yourself a runway, daddy, 'cause there ain't a lock I can't pick.

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Locke: Hey, hey, don't you walk away from me. You don't know who you're dealing with! Don't ever tell me what I can't do, ever! This is destiny. This is destiny. This is... This is my destiny. This... I'm supposed to do this, dammit! Don't tell me what I can't do!

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Danielle Rousseau: You've only got three choices: run, hide... or die.

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Locke: [to Sayid] Okay, I'll tell you something you *don't* know.

Sayid: Please do.

Locke: The first week after the crash, there was a cave-in. Jack was trapped. Do you remember that?

Sayid: Of course.

Locke: You, Kate and Sawyer went out into the jungle to triangulate a signal.

Sayid: [suddenly worried] Yes.

Locke: You were hit from behind, knocked unconscious. When you woke up, the transceiver, your equipment was destroyed. [long pause as both men look at each other and Sayid realizes what Locke is telling him]

Locke: That was me.

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Sawyer: Who are they?

Michael: Don't worry, they're cool. They believe that we were on the flight too.

Sawyer: Well, now... we can sue Oceanic together, can't we!

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Kate: Somebody's in there.

Jack: Sawyer.

Sawyer: Right behind ya, jackass.

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Hurley: [goading Jin into finding out if he can speak English] Your wife's hot!

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Kate: Where did that come from?

Sawyer: Probably bear village - how the hell do I know?

Kate: Not the bear, the gun.

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Rose: My husband's not dead.

Jack: Everyone in the tail end of the plane is gone. They all died.

Rose: They're probably thinking the same thing about us.

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Jack: Sawyer, you know how to use a gun?

Sawyer: There's a polar bear that thinks so.

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Ana-Lucia Cortez: You do what I tell you. When I say, "move" you move. When I say "stop" you stop. When I say "jump", what do you say?

Sawyer: You first.

How I Met Your Mother

Lily: Friends don't let friends drink and dial.

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Ted: So, you're a reporter?

Robin: Sorta, I do those fluff stories at the end of the show, like... Monkey can play a violin. I'm hoping for some bigger stories.

Ted: Bigger... like, a Gorilla with an upright bass? Sorry, you're very pretty.

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Barney: Ted, your problem is all you do is think, think, think. I'm teaching you how to do, do, do.
Marshall: Doo-doo! [laughs]

Barney: [chuckles] Totally.

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Lily: Hey, nice shirt, Ted. Is it yesterday already?

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Ted: You're not... Moby, are you?

Not Moby: Who?

Ted: The recording artist, Moby.

Not Moby: Oh, no.

Ted: Then why, when we said "Hey, Moby" did you come over here?

Not Moby: Oh, I thought you said Tony.

Ted: So your name's Tony?

Not Moby: No.

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Lily: [Lily sees Barney hitting on Claudia] Oh, hell. No! [grabs Barney by the ear and yanks him away from Claudia]

Lily: Claudia is getting married tomorrow and so help me God if I catch you even so much as breathing the same air as her I will take those peanuts you're trying to pass off as testicles and I will squeeze them so hard until your eyes pop out and then I'll feed them to you like grapes.
Barney: [confused] Wait... my eyes? Or my testicles?

Lily: [pause, thinks about it] One of each!

My Name Is Earl

Randy: [to man trying to walk between him and Earl] You can't come between us . . . we're Chinese twins.

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Joy: Is his sister gettin' married? 'Cause if she is and she didn't ask me to be a bridesmaid, I'm goin' down to the strip club and slap her off that pole!

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Randy: So Catalina, what are you doing for your mother for mother's day?

Catalina: My mother is dead.

Randy: Oh I'm sorry.

Catalina: Eh, its okay. It was either her or me...

24

Jack Bauer: I'm federal agent Jack Bauer, and today is the longest day of my life.

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Jack Bauer: The only reason that you're conscious right now is because I don't want to carry you.

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Lynn McGill: We met at that memory management lecture?

Chloe: If you say so.

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Bill Buchanan: We're in an active code, Chloe. We don't have time for your personality disorder.

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Jack Bauer: I have killed two people since midnight. I haven't slept in over 24 hours. So maybe you should be a little more afraid of me than you are now.

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Tony Almeida: I should be there with you.

Michelle Dessler: [softly] You are...

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Chapelle: I'd like nothing more than to hang you as a traitor and watch you jerk until you die.

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[after Teri and Kim are discovered using Eli's phone] Eli: Who did you call? Who is this?

Jack Bauer: [On the phone] I'm the last thing you will ever see if anything happens to my wife or my daughter.

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Chloe: OK, when the alert level goes down, and the terrorists have been caught, we can have some chamomile tea and I'll tell you all my secrets.

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Jack Bauer: [Jack has shot and wounded Nina] You don't have any more useful information, do you?

Nina Myers: [weakly] I do...

Jack Bauer: [notices Nina is inching for her gun] No, you don't.

[fires and kills Nina]

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Chase: Let me be upfront with you, Jack. I look up to you, and I'd even take a bullet for you. Instead, I'm holding a mirror right in front of your face. I know what they did to you when you were undercover with the Salazars. If something goes wrong, I'm always there when you need me.

Jack Bauer: Mind your own business Chase.

Chase: Today is NOT the day to prove that everything is okay and this will be a rough day. Get your head straight man, and do what you got to do.

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Jack Bauer: It's Victor Drazen.

DeSalvo: Who's he?

Jack Bauer: A man I killed two years ago.

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Tony Almeida: You mind telling me what's going on around here tonight?

Jack Bauer: What's going on? You mean besides a 747 falling out of the sky and a threat on a presidential candidate's life?

Tony Almeida: Yeah, besides that.

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Jack Bauer: You probably don't think that I can force this towel down your throat. But trust me, I can. All the way. Except I'd hold onto this one little bit at the end. When your stomach starts to digest it, I pull it out. Taking your stomach lining with it. For most people it would take about a week to die. It's very painful.

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President Palmer: What are you trying to do? Start a war with the Middle East?

Roger Stanton: No.

President Palmer: Then what?

Roger Stanton: Your defense policy is too passive. You need more resources...

President Palmer: You're trying to hijack my presidency.

Roger Stanton: No, no, no. But, I'd like to give it some balls.

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Nina Myers: He is gonna put a bullet in my head before I can say hello, and then he'll turn the gun on himself.

Jack Bauer: We'll make sure he doesn't turn the gun on himself.

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Michael Amador: You betrayed me, Jack, you were CTU all along.

Jack Bauer: That's right, Amador. You betrayed me, too, I'm just better at it than you.

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Jack Bauer: [to Saunders about putting his daughter in the hotel where the virus had been released] When your daughter is infected, I'm going to make you watch her die.

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Jack Bauer: I used to be in the military. Used to do field work for the CIA. I've been to some horrible places. I've seen some pretty terrible things. I don't think I've ever been this scared in my whole life.

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Ramon Salazar: What did you learn from Edmunds?

Hector Salazar: He can take a bullet through the hand without saying anything useful.

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[Dina has just learned that Behrooz has been taken hostage by Navi] Dina Araz: If you cannot save my son, then I am happy to see the reactors melt down.

Jack Bauer: [to Erin Driscoll, while on phone] Did you get that?

FLASHBACKS ARE FUN

So on the down side we didn't get to see any of Michael's tattoo this week. On the up side, we did see our boys outside of the prison and Michael in a suit. It was nice to see how everything sorta came together and a bit more background on Lincoln and Michael's relationship and what creepy looks like talking to your children.

Hey, if he wore more than an undershirt under his jacket he'd be much warmer

On the outside it's three years before now. Michael walks up to his apartment and sees Lincoln crouched down in the doorway, cold and half awake. Michael's pissed, he hates stepping over bums. Lincoln admits that he's there to see him because he lost his keys and is locked out of his apartment. Silly Linc, Michael finds his keys a mere few feet away and doesn't get it that his brother really needs to talk to him. There's none of that dedicated brotherly love that we've come to know and love.

Later, when Linc gets home there are two men waiting for him. One of them is named Crab, not to be confused with Crabman from My Name Is Earl. Lincoln hastily tells him that he'll get him his ninety grand. Crab tells him that the other mystery man, Bo, already paid it for him. Lincoln promises to get the money to the new guy, but Bo insists that he'll never be able to pay it back, at least not monetarily. Hey, he's not in prison yet, get your mind out of the gutter.

Meanwhile, Michael's having drinks with a coworker. The Vice President is on the television and his friend asks him if he wants to hit that. Ewe, that's old and ugly. Michael's noncommittal, not unlike the actor who plays him. The two men are interrupted by Veronica, who it seems Michael hasn't seen for awhile. The friend excuses himself and Veronica asks how he is and the conversation invariably comes back to how Lincoln is. She wants to know if he's still as hot as she remembers. Michael doesn't comment.

Lincoln on the other hand is still trying to wrap his head around what Bo's just asked him to do. He wants him to kill someone, someone we don't know yet. I mean, we know who it is but the show's pretending we don't. Across the street the two men are being watched by a mystery man who's describing Lincoln's wardrobe to someone, "black leather jacket, way out of season. jeans with a hole in the side, hello 1987". Back in the apartment Bo gives Linc a piece of paper with an address on it, telling Lincoln it's a ninety thousand dollar bullet. Shoot, why doesn't he just sell the bullet?

That's the oldest trick in the book, I invented that trick

Over at Michael's, he and Veronica have just stumbled, drunk into his apartment. I really hope they're not taking it where it looks like he's going. She does the stereotypical, "oops, I slipped and accidentally fell into your arms" thing. This bitch is good. The two look like they're about to kiss when Michael's phone rings. It's Lincoln, wouldn't you know it, he's such a c*ck block. Veronica wonders if he's going to answer it, but Michael insists he'll just leave a message.

Sure enough, in the cold Chicago night, Lincoln's leaving Michael a message. He tells him that he needs his help, that he's in something real bad, and he needs Michael to call him back right away. Interrupted by Linc's call Michael realizes he can't do this. And thank goodness because I would have been pissed, they're icky together and Lincoln is her true love. Anyway, she agrees that they can't do it and he calls her a cab.

Linc can't wait any longer for Michael's call and runs into the parking structure he's in front of. He stops in front of a pillar and does a little Zen breathing. Hey, it's hard on the soul to kill a man. He then heads for Terrance Steadman's car and points his gun to fire. Unfortunately, as we all know by now, the man inside's dead already. Linc freaks out and runs away. Inside a van Agents Kellerman and Hale (RIP) are watching this unfold on the video. Hale wonders if they got it and Kellerman confirms that they got what they needed.

"Girl, I want to sop you up with a biscuit"

In the LOST moment of the night, as Lincoln's running away from the scene he runs through a group of men, one of which is Sucre. Sucre yells some obscenity in Spanish and then the guys laugh. Across the street Sucre locks eyes with Maricruz. They have a bit of eye flirting with Sucre's cousin, Hector, looking on. We know Hector's a dog and that he'll steal Maricruz away. I want to kick him already.

All those pills in the bottles and she chooses this?

We're now treated to some scenes with Dr. Tancredi, she looks, uh, like crap. She's walking through the halls of a hospital and a colleague walks by, telling her that people are waiting for them. She dismisses him and says she'll be right there. She goes into the medicine closet and takes out some morphine. Oh, she must be treating- ah man, she injects it into herself. Nice, Dr. Sara's a drug addict.

Over in war torn Iraq, we get our first glimpse of C-Note. Now we know how he's gotten all of those postcards. I mean, I still don't know, they must sell them at the 7-11 in town. C-Note's standing with his commanding officer as they bring in what looks like coffins. Inside aren't bodies, it's beer. C-Note's the guy to come to if you want some contraband. This time though, he's not trading money for it, he's trading a cushy prison guard job (har har) at a POW camp. This puts him out of harms way, apparently.

At Michael's office Veronica's shown up for a nooner. She wonders if he's been watching the news. Why should couldn't have called him is beyond me. She tells him that Lincoln's all over the news. Michael decides to have a talk with his older brother. He visits Linc in jail and he's looking pretty cute in the orange jumper. Not that many people can pull that off. I think it's his skin tone. Anyway, Michael's pissed that he killed the VP's brother. I mean, if you're going to kill someone, let it not be the Veep's bro. Even though Linc tells Michael that he's innocent, swears to it, Michael doesn't believe it. He says there's too much evidence against him, especially the fact that he owed someone money. Michael's pissed and tells Linc not to use that tired excuse that he's this way because their mother died, or their father left. He says that he didn't go frak his life up, that he used his half of their mother's life insurance to do good things, and that Lincoln could have done that but he chose not to. Ouch.

In the Vice President's office, Agent Brinker's coaching her on her upcoming speech about her brother's death. It's clear who wears the pants around this office and it ain't Mrs. Vice President. The Veep wonders if Governor Tancredi's going to be a problem and Brinker assures her that he won't. I wonder if they know about Sara's little drug problem. I'm sure they do.

I'm sorry, what was I talking about?

With Veronica, Michael's still wondering why the hell Linc owed someone ninety thousand, he's coming up with various seedy reasons. Finally Veronica tells him to be a little more compassionate, the guy is his brother. Veronica can't take it anymore and spills her guts. She tells Michael that the money he got from his mother's life insurance, wasn't actually from his mother, it was from Lincoln. He borrowed the money and gave it to him under the guise of it being from their mother, since he wouldn't have taken it otherwise. This is the money that paid for his schooling, where he lives now, and everything that's gotten him to where he is today is because of this money. Doesn't he feel like a tool now.

Michael goes to the jail, feeling like an ass and apologizes to Linc. He admits that Veronica's the one who told him and tells him how much she still cares for him. Linc doesn't want Michael to waste his time with him anymore, to move on with his life and forget about it. Of course he can't do that, since he blames himself for Lincoln being in there. They start to go through what happened and how everything can line up to him. Since he didn't do it, then someone's obviously making it look like he did. While they're talking we see a guy at a computer modifying the video of Lincoln. Since Lincoln points the gun at the guy, they use a little Photoshop to make it look like the gun's being fired. Kellerman watches, satisfied.

Meanwhile, Sucre's still pining over Maricruz. His a**hole cousin Hector thinks she's way out of his league, that she wants a guy who can pay her way to things, kinda like him, but he doesn't exactly come out and say that. Sucre doesn't think Maricruz thinks that way, and tells the guys he thinks she's the one. The one what I'm not sure, but one of them. Flash to a liquor store and Sucre's decides to rob it. He puts his hood up (what is it with Fox and hoodies???) and runs in, pointing a gun at the clerk. The clerk gets out the money from the register but Sucre just takes a one hundred dollar bill. I'm assuming this means he's only robbing him to take her out to dinner. Interesting. Later, when he and Maricruz are in bed, he mentions how cute the sweat pool in her bellybutton is. Ewe.

In Iraq, C-Note's living the high life being a prison guard. Unfortunately, he must be stationed at Abu Ghraib or something because as he's walking down the hallway he hears some moaning. When he gets close enough to see what's happening he notices an Iraqi prisoner being tortured with electric shock. C-Note looks disgusted.

Michael's in his office late at night, going over all of the evidence, trying to think of a way to get Lincoln out. He goes into one of his drawers and there's an origami crane, just like the one he was so fond of earlier in the season.

Dr. Sara's not doing too well. She meets up with her druggie boyfriend and gives him the drugs and syringes she snatched from the hospital. He's extremely appreciative, as anyone would be. Suddenly, in front of them, a boy is hit on a bike and doesn't look like he's doing too well. The crowd gathered around him is calling for help. One fo the people notices the hospital badge Sara has and urges her to help him. How'd they know she was a doctor? She could be a clerk, or an orderly, or she could sell medical supplies there and need a badge because she's there so much. Anyway, because she's in a drug haze she doesn't react and her friend pulls her away as she basically watches the kid die. Scandalous.

I'm beginning to like C-Note

C-Note's in his commanding officer's tent and tells him that the whiskey he ordered will be there soon. That's not why the officer wanted to see him though. He knows about the complaint he filed about prisoner abuse. The officer doesn't like the idea of people knowing what goes on there and C-Note assures him he's not going to the evening news with this, he just doesn't want it to happen again. Since it's clear C-Note's not backing down from the charges, the officer places him under arrest for selling the black market goods. That's just messed up.

It's the end of Lincoln's trial and if you haven't guessed it yet, he's found guilty. Veronica and Michael, who are in the back of the courtroom are clearly upset. When Linc passes them by Michael apologizes for not being able to stop this.

In Chicago, C-Note and his brother-in-law, Darius, talk about what a bad situation he's in. Not only is he jobless because no one will hire him because of the dishonorable discharge but he's lying to his wife who thinks he's just on leave. Darius says that he can get C-Note some work. C-Note knows what kind of work that is and if she's gonna be pissed about him being kicked out, she's bound to be pissed about this. Darius assures him that all it is is driving a truck from point A to point B. It's ever that simple, but let's go with it. Later, what we know is gonna happen happens. As C-Note is driving the truck for his brother-in-law the cops pull him over.

Michael's still pissed about the verdict and is going off to Lincoln about his defense team, that they never called Leticia Barris to the stand, or talked to the first cop on the scene since he changed his story. Lincoln thinks it's a lost cause and urges Michael to give it up. He can't. He thinks back to the time when he was younger, when it was just him and Lincoln in the house. He says that he used to have trouble sleeping because he never knew where Linc was. In the morning though there'd be an origami crane on his pillow next to him and it was comforting, knowing Linc would check on him each night. (sniff sniff) He says he looked up the meaning of a crane, and it means familial obligation. I doubt Linc knew that, but it's quite ironic. He says that now it's his turn to watch out for him. Lincoln's still defeated. He says that the next day they'll be moving him to the big boy's prison, a placed called, Fox River. Uh oh, Fox River you say? This causes a spark in Michael's eye. Later we see him at his office late at night, grabbing the Fox River architectural plans.

In the creepy moment of the night, we join T-Bag in his regularly scheduled molestation. Actually, he's the guest of a single mother and her two kids. This is the first time this poor woman is finding love after her divorce and she picks this guy. Not really a good judge of character but my thinking is she's a bit desperate to find her kids a daddy. He shows up to their house for a nice supper of liver with a side of fava beans and a nice glass of chianti.

With Sucre, he's still hanging around that good for nothing bastard cousin of his, Hector. He tells the guys that he's planning to propose to Maricruz. Hector, of course, doesn't think this is a good idea since he's a big douche. He says that he can't even afford a ring. Cue Sucre being desperate and going to that same liquor store from earlier. This time he doesn't take just a hundred, he takes the whole stack. Waiting for him outside are the cops, they were tipped off. Oh, I wonder who tipped- HECTOR. That lying sack of sh*t.

Kellerman's with the Vice President and she's talking about the Burrows' case. She wants to know if everything's working out like it was planned and he says yes. She doesn't remember the last time she was this nervous. I mean, it takes a lot out of a girl to set up someone for murder even though the person's alive and being Vice President. Damn. Kellerman has obviously been with her a long time because he comments that he saw her this nervous before she ordered Truman to bomb Japan. Kellerman shows her a house in a secluded part of the country.

We finally see Sara again, this time she's sober, looking much better than before. She's in a NA meeting, telling her story. Afterwards, she gets the complimentary coffee, hey, you have to switch one addiction with the other. While she's doing that, who should walk up? Bellick himself. He's not the hard ass bastard we've grown to know and love. He's still a bit creepy since he's obviously attracted to her. He tells her about a job opening he knows about at Fox River, where he works. She's happy to hear of a place that takes ex addicts and thanks him for the lead. That's not all he wants to give her, he invites her out for dinner. Since she doesn't usually date old ugly guys, she politely says no. He's crushed, since he's asked out every other addict he knows from the group and they've all said no. He needs to join SA. He's bound to find someone there that'll have sex with him.

At Michael's, he stares at a decreasingly blank wall. On it now is the case file from Lincoln's murder trail. Now that he has the blueprints, he starts putting them up as well. As we know, this wall will become and intricate and amazing piece of his plan to break Linc out. Later, as the wall fills up, it has countless flash cards on it. As he studies each piece of information he's furious he can't memorize it. He's smart, but he's not that smart. He gets frustrated and pulls some of the cards down in a rage. The doorbell rings and it's the pizza delivery girl. He goes to pay for his pizza and sees the crazy tattoos on the girl's body. Ding! Ding! Idea time!

T-Bag's having a great time. He's with the two young children and their naive mother. The little girl's having trouble in her math class so he offers to help. Isn't that so nice of him. She's excited to learn something and that excites the mother who (ewe) kisses T-Bag a thank you. As she finishes washing dishes in the kitchen she notices a familiar face on the America's Most Wanted episode that happens to be playing. It's none other then her nice boyfriend Theodore, wanted for murder and lots of other nasty things. She stands there in shock.

Yup, really likin' him now

C-Note's going home to face his wife and daughter, to finally admit what happened. When he goes to tell them he chickens out. He tells them that he's being shipped back to Iraq. The little girl doesn't want him to go and the wife is upset. Lord knows it's safer in Iraq then it is in our prison system. Hmph. Later, Darius tells C-Note that it's a mistake to lie to his wife, and he's pissed, seeing it's his sister. C-Note points out that him going to prison is his fault, and that if he knows what's good for him he'll keep this secret, since it'll kill his wife to know she married a thug after all. She can only take one thug in the family at a time.

Over with Michael, he's busy laying the blueprints down and copying them onto tracing paper. It's multi-layers and we get to see how the hell he reads that thing. One of the tattoos is "boLshoi booze" Later, he goes to the Mexican border and a man questions him about why he wants... something, they're very vague. The guy warns him not to tell anyone and we read the paper Michael has slipped him which reads "boLshoi booze". Obviously this is going to mean something at some point. In the "what the hell is he doing" moment of the night, Michael's at a cemetery and starts digging a grave. It's winter in Chicago so I can't imagine that's easy. Back at his house his wall is now filled with information, including new articles and research about his cohorts, including Abruzzi, and Warden Pope.

At Fox River, Susan, T-Bag's girlfriend, sits in the visitation room as T-Bag comes in and sits down across the glass. She says that her therapist told her it might be good to come and confront him. Probably not since he tells her that he was a good man after he met her, and that her love turned him straight. And by straight I mean he didn't kill anyone while knew her. But now that she's against him, if he ever gets out of there he's coming after her. Crap.

With the Vice President, she's making some sort of vegetable mush in a blender at that secluded home. She takes it into a man sitting in a chair with his back to us. She tells him that things are almost over, that Burrows will be dead soon. She knows how much he's been through and that the worst is over. As she walks away he takes some false teeth out of a jar and puts them in. He turns around and it's Terrance Steadman, like we didn't call that at the beginning of the scene. He insists that she has no idea what he's gone through. Yeah, like getting all your teeth knocked out of your head and put into another body so that they can identify you later with the dental records. Damn.

The one on the right! The one on the right!

Lately, we see Michael in his apartment dressed in the suit we may remember from the day he was arrested. He looks on his table and sees two guns which he picks up as he leaves the apartment.